Robert Mackenzie is an Australian supervising sound editor who has been enriching the film world with his creative soundscapes for over twenty-five years. He body of work includes Animal Kingdom (2010), The Hunter (2011), Lore (2012), Felony (2013), The Grandmaster (2013), The Rover (2014), Deadline Gallipoli (2015), Partisan (2015), Lion (2016), and critically acclaimed war-drama film Hacksaw Ridge (2017), for which he received two Academy Award nominations at the 89th Academy Awards, Best Sound Editing and Best Sound Mixing. Most recently Rob has completed work on The Nightingale and Mystify, Judy & Punch, Top End Wedding, and in addition to David Michôd’s medieval epic, The King.
We acknowledge Australia’s First Nations People as the Traditional Owners and Custodians of the land, and pay respect to the Gadigal people of the Eora Nation, upon whose Country SFF is based. We honour the storytelling and culture of Aboriginal and Torres Strait Islander communities across Australia.
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We acknowledge Australia’s First Nations People as the Traditional Owners and Custodians of the land, and pay respect to the Gadigal people of the Eora Nation, upon whose Country the festival is based. We honour the storytelling and culture of Aboriginal and Torres Strait Islander communities across Australia.
Subscribe to our newsletter for the latest news from the Persian Film Festival.